
There’s no
doubt that Leandro Erlich is the “architect of the uncertain”. He creates spaces with fluid and unstable
boundaries. A single change (up is down, inside is out) can be enough to upset
the seemingly normal situation, collapsing and exposing our reality as
counterfeit. For his creations he takes inspiration mostly by Jorge Luis Borges,
but also by Alfred Hitchcock, Roman Polanski, and Luis Buñuel art works. Erlich’s
sculptural installations are meant to be explored and defamiliarize our
everyday routine; through this transgression of limits, the artist undermines
certain absolutes and the institutions that reinforce them. He first made a name for himself with his trompe
l’oeil swimming pool at the 2001 Venice Biennale, then he continued with always
more incredible installations as the Window and Ladder-Too Late for Help, 2008,
the Log Cabin, 2009, the Shattering Door, 2009, The Boat, 2010, the Stuck
Elevator, 2011, and more. Erlich's works are included in several private and
public collections including the Museum of Modern Art, Buenos Aires; The Museum
of Fine Arts, Houston; Tate Modern, London; Musée d'Art Moderne, Paris; 21st
Century Museum of Contemporary Art, Kanazawa, Japan; MACRO, Rome; The Israel
Museum, Jerusalem; and the Fonds National d'Art Contemporain (FNAC), Paris. He
lives and works in Paris, France, and Buenos Aires, Argentina.

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